| Japanese (日本語)


Japanese Films showing in Ethiopian Film Festival
Venue: Alem Cenema, Italian Cultural Center (tentative)
Date: 9 & 10 November 2011 (tentative)







Always   Sunset on Third Street
Always San-chome no yuhi (ALWAYS 三丁目の夕日)


Color / Vista / 2005 / 132 min / NTV, Robot, Shogakukan, Vap, Toho, Dentsu, YTV, Yomiuri Shinbun, Shirogumi, Imagica

Director: Yamazaki Takashi

Script: Yamazaki Takashi, Kosawa Ryota
Based on the comic by: Saigan Ryohei
Cinematography: Shibazaki Kozo
Art Direction: Kamijo Anri
Music: Sato Naoki

Executive Producers: Abe Shuji
Okuda Seiji
Producers: Ando Chikahiro
Moriya Keiichiro
Takahashi Nozomu

Cast:
Chagawa Ryunosuke: Yoshioka Hidetaka
Suzuki Norifumi: Tsutsumi Shin’ichi
Ishizaki Hiromi: Koyuki
Hoshino Mutsuko: Horikita Maki
Takuma Shiro: Miura Tomokazu
Ota Kin: Motai Masako
Suzuki Tomoe, Norifumi’s wife: Yakushimaru Hiroko
Suzuki Ippei, her son: Koshimizu Kazuki
Furuyuki Junnosuke: Suga Kenta

Setting: Tokyo, in 1958.



Synopsis:
The year is 1958. The government had declared in 1955 that the “postwar” period is over and Japan is starting a period of tremendous growth. Tokyo Tower is being built as a symbol of a recovered Japan, and not far from it, in the working-class area called shitamachi, people are trying their best to improve their lives. Hoshino Mutsuko, just graduated from junior high school, arrives in Tokyo with a group of young people from a poor region of northern Japan who have applied for jobs in the booming capital. Mutsuko imagines that Suzuki Auto, which is where she is to work, must be some big car manufacturer, and is quite surprised when the company president himself, Suzuki Norifumi, comes to the station to greet her. Her friends tell her she might end up being the president’s secretary, but Mutsuko soon finds out that she is becoming the only employee of a small car repair shop in shitamachi. Norifumi’s wife, Tomoe, is gentle and caring, and their son, Ippei, a kind and energetic boy, but Mutsuko begins to cry from disappointment. When the short-tempered Norifumi hears of this, he flies into a rage, accusing of her of lying on her application by writing car repairs as a skill. It turns out, however, that he not only lied himself in the job posting?saying Suzuki Auto was a car maker?but also misread her application (her skill was bicycle repair, which is spelled a lot like car repair in Japanese). Norifumi is forced to apologize.

This confrontation takes place inside the candy store of Chagawa Ryunosuke, which is across the street from Suzuki Auto. Ryunosuke was once a finalist for one of Japan’s most prestigious literary awards, but now he just writes adventure stories for kids in third-rate magazines. He lazes around the store he inherited from his aunt, waiting for the mail, which mostly only brings rejections from publishers. He tries to drown his sorrows at a new bar run by Ishizaka Hiromi, an attractive woman who has quickly earned a few admirers. Drunk, somewhat smitten himself, and boasting of his expertise with children, Ryunosuke ends up taking in Junnosuke, the son of a dancer who once worked with Hiromi but who has disappeared. When he realizes what he has gotten himself into, Ryunosuke tries to get rid of the boy, but he changes his mind when he finds out that Junnosuke is probably the greatest fan of his adventure stories in the world.

Summer arrives and so does the television the Suzuki family has been waiting for. With TVs still a rare commodity, the entire neighborhood shows up at Suzuki Auto to watch the prowrestler Rikidozan use his famous karate chop against evil foreign opponents. But when the screen goes blank, Ryunosuke, brandishing his supposedly superior college education, tries to fix it and only makes it worse, ruining the night and the TV.
Junnosuke, usually looking cheerless and downtrodden, finally makes some friends in Ippei and his classmates who discover that he has been writing adventure stories himself?and quite good ones at that. Ryunosuke, suffering from writer’s block, also discovers the stories and surreptitiously submits one as his own story. Ippei and the others soon discover the plagiarism, but Junnosuke, thrilled to have his story cleaned up and published, only has feelings of thanks for Ryunosuke.

One day in the fall, Junnosuke overhears Ryunosuke and Hiromi talking about where his mother might be. Telling Ippei about this, the two decide to make the trek across town to visit his mother. Using all their money?and counting on Junnosuke’s mother for return fare?they reach the store she supposedly works at, but the man there bluntly sends them away, refusing to acknowledge she was ever employed there. As the two worry about how to go back home, the Suzukis, Ryunosuke, and Hiromi frantically search for the two boys. When they finally make it back home, thanks to some money Tomoe sewed into Ippei’s sweater for emergencies, Ryunosuke slaps Junnosuke, telling him how worried he was. Hiromi becomes impressed at how Ryunosuke, who always reminds Junnosuke that they are not related, is starting to act like a real father.

Sensing her interest, Ryunosuke frantically tries to gather money to buy a present for Junnosuke and an engagement ring for Hiromi for Christmas. He gets a fountain pen for Junnosuke, who is most impressed?in part because it was delivered by Santa himself (played by the local Dr. Takuma, who lost his family during the war). Ryunosuke, however, only manages enough cash to purchase a ring case for Hiromi. But she is still pleased and insists he place the not-yet-there ring on her finger. This was her last time with Ryunosuke, because burdened by debts, she leaves the neighborhood early the next morning without telling anyone, and begins working at a dancehall.

For the New Year holidays, the Suzukis give Mutsuko train tickets as a present so that she can go home to visit her family. She refuses, however, because she thinks her parents, burdened by half a dozen children, were glad to get rid of her. Tomoe, however, shows Mutsuko the letters her mother had secretly written expressing love and concern for her daughter. Her parents’ supposed pleasure at having one less mouth to feed was just an act to encourage Mutsuko to strike out on her own.

Just around that time, Junnosuke’s real father shows up, and he turns out to be a rich businessman who had an affair with the boy’s mother. Thinking that this man can give Junnosuke a better life, Ryunosuke agrees to hand over Junnosuke, but the father’s attitude is haughty. He even throws away the pen Ryunosuke got for Junnosuke, calling it third class. After they drive away, Ryunosuke runs after them, calling out the boy’s name, but falls onto the pavement. He looks up and finds Junnosuke standing in front of him. He pushes him away, again emphasizing that they are not related. But Junnosuke refuses to leave.

All the residents of the neighborhood look towards the setting sun, going down over the now completed Tokyo Tower.


Notes:
Based on a comic by Saigan Ryohei that began publication in 1974, Always rode the wave of a nostalgia boom for 1950s Japan and became a box-office hit. A sequel was made two years later. Its vision of the era is largely rose colored and matches other conventional representations of lower-class shitamachi (downtown) neighborhoods, featuring good-natured but slightly oddball characters who maintain a strong sense of community presumably lost in modern urban Japan. Always’ historical interpretation is thus nostalgic, but it is not attempting to return to the good old days. It was produced by Robot, a company often involved in special-effects works and which put considerable effort into using computer graphics to reproduce realistic images of 1950s Tokyo. It was also directed by Yamazaki Takashi, whose previous films have been sci-fi fantasies. The point of Always is less to realistically depict 1950s Japan, and more to provide a fantasy, on the same level of Junnosuke’s futuristic worlds, that the audience can immerse itself in. That the film does.










Swing Girls
(スウィングガールズ Suwingu Gāruzu)


Director: Shinobu Yaguchi

Swing

Girls is a 2004 comedy film co-written and directed by the Japanese filmmaker Shinobu Yaguchi about the efforts of a group of high school girls to form a jazz band.
Swing Girls is set in rural Yamagata prefecture, in northern Japan and the characters often use the local Yamagata-ben dialect for comic effect.

The film ranked 8th at the Japanese box office in 2004, and won seven prizes at the 2005 Japanese Academy Awards, including 'Most Popular Film' and 'Newcomer of the Year' awards for Yūta Hiraoka and Juri Ueno.

The cast includes Yūta Hiraoka (Takuo, the leader of the band), Juri Ueno (Tomoko), Shihori Kanjiya (Yoshie), Yuika Motokariya (Sekiguchi) and Yukari Toyashima (Naomi). The actors performed their own music for the film.
This film was not particularly popular outside of Japan, but was released onto DVD in region 4 format after its release in Japan.

Plot

The movie begins at a school in Japan. It is extremely hot outside, and summer classes are being held. One class is the remedial math class, containing thirteen girls and a nervous, unsocial teacher named Ozawa. While Ozawa rambles on, one of the girls, Tomoko, looks outside the window to see the school's brass band, featuring one depressed Nakamura, planning on giving the teacher a "quitting the band" slip, but unable to follow through. The brass band leaves for a baseball game, and moments later, a lunch truck arrives. The driver notices he is late and is also late for a catering. Tomoko, wanting to get the heck out of math class, decides to deliver the lunches with the others for him.

On the train ride over, Tomoko pops a lunch open and the girls eat it. They also fall asleep and miss their stop. They decide to walk, losing some of the lunches in the fields when dodging a train and from procrastinating at a nearby stream. They meet Nakamura at the stadium and pass out the lunches. When they finish, Nakamura demands to know where his lunch was, and Tomoko says she doesn't know. Nakamura then discovers a speck of rice on Tomoko's chin. He says nothing, and buys his own lunch as the girls leave. As he eats, he notices that his fellow band members are sick since the lunches spoiled in the summer heat. All 42 of them along with their teacher go to the hospital. That night, Tomoko watches it all on the news and is petrified.

The next day, hoping for a miracle, Nakamura holds an audition for new recruits. He gets two punk rockers who need to "make some noise" after their band broke up and a shy, bright, unsocial girl named Sekiguchi, who only knows how to play the recorder. Now Nakamura is desperate, and all that changes when he hears the Tomoko and the other girls outside. His desperation turns to rage and he stomps out into the hall and startles the girls. He berates them because they messed up the lunches. He also tells them that they must fill in for the brass band. The girls try to refuse, but Nakamura threatens to rat them out if they don't join. To escape math class the girls reluctantly join.

The girls start to clown around with the instruments, except for Sekiguchi. Nakamura has no control over them, until Sekiguchi accidentally knocks over some big band records. One rolls down the hall into the hands of the school's star baseball player, who hates Nakamura. While being confronted, Nakamura realizes that he can turn the girls into a big band instead as they are 8 people short of a brass band. As he introduces the concept to the girls, he also realizes that teaching brass band instruments to these 16 girls will not be easy, especially if it needs to be done in time for the game next week. Later on, Nakamura, alone in the band room, realizes that everyone is dependent on the girls, and that if he quits the band now, the people would be disappointed and the baseball player would come after him, so he tears up the "quitting the band" slip.

As the week rolls on, Nakamura trains them physically to improve their lung strength. Everyone stumbles along, except for Sekiguchi, who strolls through the tasks with flying colors. Tomoko faces some conflicts with Nakamura along the way, but she realizes that in order to escape trouble, she must get along with him.

On the day before the game, the girls run through a jazz piece and are pretty good at it, although a little squeaky in some places. As they marvel at their work, all 42 brass band members walk in and take over again. Everyone except Sekiguchi is eager to get out, but once the girls step out of the building, they break down into tears because they realize that they liked playing in a big band.

When school starts up again, Tomoko passes by the band room as the band members run through scales. She asks the band teacher what happen to Nakamura, and she tells her he finally quit. The band teacher offers Tomoko a chance to play, and she begins to accept, but as she enters the room she sees Sekiguchi. Remembering how cruelly she treated her back when the band was still in business, Tomoko leaves. She sells her computer and her little sister's PS2 to buy a used sax (in poor condition). A while later all the girls meet to discuss how to raise some money to buy new instruments. Some ideas are brought up but they are unfeasible, and despite the fact that Nakamura's family is well to do, he can't pitch in because he's afraid he'll get a beating from his parents. Finally they settle on an idea: they decide to get jobs.

The girls work at a supermarket, and raise a lot of money, but Tomoko loses most of the money when she has to pay damages from accidentally starting a fire. As the girls leave, a shocking secret is discovered when it is learned that everyone except Tomoko, her best friend Yoshie, Sekiguchi, and Naomi have spent all of their hard-earned money on designer clothes. The girls who spent their money on clothes run off with the school's baseball players leaving the four with a small amount of money to continue the band on their own.

The foursome (plus Nakamura) decide to pick Luxury mushrooms (matsutake mushrooms) in the mountains. When they get to the mountains, though, they realize that there is a trespassing fine, and that the forest rangers are heading in their direction. They try to escape, but a hungry boar attacks them and goes for the portly Naomi. She climbs up a tree hoping to escape the boar and then falls down onto the boar's head. The boar's skull splits open, killing it on impact. The forest rangers find them, and what seemed like another failure is turned around when they were rewarded a huge sum of money for killing a crop-damaging boar.

They buy the instruments, but they turn out to be broken and old, so now they have to fix them, but they have already blown their money getting the instruments. However, the punk rockers take them to the junkyard to have their ex-bandmates—also ex-boyfriends who are desperate to get them back—to fix them up. Now that they have the gear, they can start playing, but their skills are as poor as their instruments, and after trying a few places to play, they are not very successful.

Later, through a series of mishaps, they find that the math teacher Ozawa is a jazz fan and a sax player.
They play in front of the supermarket they got fired from. The other girls that had previously left see this, and are so moved that they go and sell their designer clothers to buy instruments to rejoin the band, restoring the band to its original size.

Later on in the winter, Tomoko tells the others about a winter music festival where they could actually prove themselves. They all agree to go and convince Ozawa to conduct. He reluctantly agrees, and the next day they go to the roof of the school to record the audition tape. When they finish, they leave Tomoko in charge of sending the tape, with plenty of time to spare; however, Tomoko forgets to send it. She hastily turns it in but a few weeks later she gets a reply saying that due to a surplus in applications, they've been rejected. Crushed, Tomoko decides not to tell anyone.

During a hair appointment, Nakamura discovers that Ozawa is not really a professional sax player and was privately taking lessons. Embarrassed, Ozawa confessed that he was never a good sax player and only learned to play to impress the school's music teacher. He makes Nakamura swear that he will never tell a soul. He also decides to back out of conducting.

On the train ride to the music festival, Tomoko sits alone in another car. Nakamura decides to go over and cheer her up. While the others think it's a confession of love, she says to him that she did not have the heart to tell anyone, so Nakamura tells them for her, which crushes their spirit. To make matters worse, the train is delayed by the snow. The band teacher finds them and rushes them by bus to the auditorium; they have a spot since another band could not make the competition.

They spill out onto the stage just as the announcer declares they would not attend, causing the audience much amusement. They set up and play a 15-minute concert. While wooing the crowd, Ozawa conducts and the punks' boyfriends try to get them to notice them. At the end, the performance turns out to be a success.


Music in the film


The song played by the band for their audition tape was "In the Mood" by the Glenn Miller Orchestra.
The first song played at the concert finale is "Moonlight Serenade" by Glenn Miller.
The second song played is "Mexican Flyer" by Ken Woodman. The song is also featured in Space Channel 5, which Tomoko's little sister was playing earlier in the movie.
The final song played is "Sing Sing Sing with a Swing" by Louis Prima.
Many of the girls really could not play these instruments, and they did play the performances in the film, after training for only 5 months. To prove this was not movie-magic, a tour was organized after the film with a live CD released shortly after.